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Raphael, The School of Athens, about 1509–1511, fresco in the Stanza della Segnatura, Vatican
Raphael, “The School of Athens”, Public domain, via Wikimedia Commons

Art · 6 lessons

Art

Works you can stand in front of, and buildings you can walk into. Each sentence names the maker, the place the work is kept, and the later reading when there is one.

The work, and the room

This chapter is about objects. A painting hangs in a named room. A building is a work you enter. The chapters below keep the maker, the date, and the collection in the sentence, and they keep a later interpretation in the name of the person who offered it.

The painters are the ones museums keep returning to: Giotto, Leonardo, Michelangelo, Raphael, Artemisia Gentileschi, Caravaggio, Vermeer, Rembrandt, Velázquez, Turner, Hokusai, Monet, Van Gogh, Cézanne, Hilma af Klint, Kandinsky, and Picasso. The buildings are the Parthenon, the Pantheon, Hagia Sophia, Chartres, Brunelleschi’s dome in Florence, the Alhambra, the Taj Mahal, and Angkor Wat, with Gaudí’s Sagrada Família as a work other hands are still finishing.

The Great Pyramid and Göbekli Tepe stay in History. Those pages are about dates and about claims made for the stones. Here the question is the work itself.

  1. 01

    A method

    How to look

    A painting is an object in a room. A building is an object you walk through. The maker, the date, and the later reading stay in the sentence.

    Read this chapter
  2. 02

    1305–1620

    The figure

    Giotto gives the body weight. Leonardo, Michelangelo, and Raphael each take that body somewhere else. Artemisia Gentileschi signs her own Judith.

    Read this chapter
  3. 03

    1599–1844

    Light

    Caravaggio, Vermeer, Rembrandt, Velázquez, and Turner each make light do the work that a story used to do.

    Read this chapter
  4. 04

    1831–1937

    After the window

    Hokusai, Monet, Van Gogh, and Cézanne change what a view can be. Hilma af Klint and Kandinsky drop the view. Picasso breaks the single standpoint, and his canvases stay off this page.

    Read this chapter
  5. 05

    The old rooms

    A room you enter

    The Parthenon, the Pantheon, Hagia Sophia, Chartres, and Brunelleschi’s dome: five buildings where structure, light, and ceremony are the work.

    Read this chapter
  6. 06

    Courts, tombs, a work still rising

    Courts and tombs

    The Alhambra, the Taj Mahal, and Angkor Wat are buildings you enter as a whole world. Gaudí’s church is still being finished by other hands.

    Read this chapter

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